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Tony Linde

artist printmaker

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I am an artist printmaker and studio holder at Leicester Print Workshop. I also have an artist page on their website.

Please bear with me while I get this site built.

Recent posts

  • Converse series: Techniques August 13, 2018
  • Test townscape August 1, 2018
  • Antiphony project July 31, 2018
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Instagram

Not bad for a phone camera, especially as grass was waving in the wind.
Love that. Another artist to check out. #REPOST @thecbpp with @get__repost__app Final post of the day from @martynburdon . I first discovered the work of John Craxton at a exhibition at the Fitzwilliam Museum in Cambridge. The retrospective was absolute joy to explore and I’ve been a fan ever since. He’s maybe less well known than he should be, he was part of the Neo Romantic Group of artists, a contemporary of Lucian Freud and John Minton, and he has been described as kind of Arcadian, a title that I certainly couldn’t disagree with. Seductive and joyous work, with a marvellous eye for colour. #johncraxton #fitzwilliammuseum #neoromantic #repostw10
Most of today spent outside. Did get tiny bit of work done 🙄.
Someone heard the cheese being cut!
Really like this imaginative and sensitive use of colour. #REPOST @abduzeedo with @get__repost__app Lui Ferreyra's art really caught my eye today, Lui is a freelance artist based in Denver, CO, USA. I am featuring the first series of colored pencil illustrations shared via Behance, the skills have greatly improved since. It's a unique style and the paper integrates into as a background that differs the result even more. More on ABDZ. By @ferreyralui See more at the profile link. #abduzeedo #illustration #coloredpencil #repostw10
#REPOST @printsandprintmaking with @get__repost__app To end NAIDOC week, we have this brilliant neon coloured poster made in 1987 by Marla Guppy and Alice Hinton-Bateup at the Garage Graphix print workshop. Based at Mt Druitt in Sydney’s western suburbs, the art collective functioned as an important platform for voicing community concerns, as well as providing local employment and training opportunities in the 1980s and 1990s. Adopting a pixelated computer game aesthetic, this eye catching screenprint draws attention to ongoing Indigenous inequalities in Australia and reminds us all that now is the time to crack the system! 〰️ Marla Guppy and Alice Hinton-Bateup, Garage Graphix, ‘Now lets crack the system’, 1987, screenprint, printed in colour inks, from multiple stencils, Purchased from Gallery admission charges 1988. 〰️ #NAIDOC #naidocweek #ausprints #printmaking #ngaprints #poster #screenprint #garagegraphix #repostw10
This is fantastic. Solid sense of place while also being timeless. Love it. #REPOST @silvi1766 with @get__repost__app Some of the work I’ll be showing in the upcoming exhibition, BALDESSIN STUDIO - THE STORY. From my Photogravure series “Renegotiated Landscapes” A Moroccan perspective. ****OPENING Wed 24 July - Montsalvat, Eltham**** https://www.montsalvat.com.au/whats-on-1/2019/7/24/exhibition-baldessin-press-and-studio-at-montsalvat @baldessinpress @montsalvatartscentre #photopolymergravure #morocco @amazigh_art_tours_morocco #repostw10
Listening to all the rooks.