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Project Type: Archived

Posted on April 16, 2018April 29, 2018

Wrong Way

Exhibited at LCB Depot Print Room from 4-Mar-2016 to 30-Jun-2016.

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Recent posts

Converse series: Techniques August 13, 2018
Test townscape August 1, 2018
Antiphony project July 31, 2018

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Couldn't make the exhibition but have just ordered the book. #REPOST @susie9hamilton with @get_repost__app ‘Heart of light’, TS Eliot, ‘The Waste Land’, #mauve #violet #lilac ‘hyacinth garden’ #acrylic and #pastel on paper from #exhibition @paulstolpergallery, ‘On Margate Sands’ #worksonpaper @the_wind_in_the_trees @cmartreviews @at_the_violet_hour @paintbritain #repostw10

This weekend: #REPOST @ukprintmakers with @get_repost__app Event: @leicesterprintworkshop Print Festival at @leicesterprintworkshop, Leicester 17th & 18th November 2018. See blog for more information (link in bio). Image credit @leicesterprintworkshop #leicesterprintworkshop #leicester #leicesterprintfestival #printmaking #printfestival #repostw10

#REPOST @ukprintmakers with @get_repost__app Exhibition: Richard Long - The Tide is High at @alancristea, London 15th November 2018 – 5th January 2019. See blog for more information (link in bio). Image credit Richard Long #printmaking #richardlong #alancristeagallery #thetideishigh #repostw10

#REPOST @antiqueprintmaproom with @get_repost__app Title: Polytelis Alexandrae Artist: John Gould (1804 - 1881) Date: c1869 Technique: Lithograph with original hand colouring. An original hand coloured lithograph of the Princess Parrot, from the original edition of the 'Supplement' of The Birds of Australia by John Gould. In embarking on this monumental endeavour, John Gould printed 600 lithographs between the years 1848 to 1860 which then completed his work on the ornithology of Australia. He had sold these lithographs on a subscription basis over the extraordinary period of twelve years. His loyal two hundred and fifty subscribers regularly paid and received approximately seventeen lithographs every two months, until they had received all 600. Soon after the completion of the series, Gould began to receive further new species from collectors and dealers from the newly opened up areas of Australia, such as remote northern Queensland and Western Australia and central Australia. It began apparent to Gould that he had to issue further lithographs, which published in 1869 a single supplement volume comprising approximately eighty lithographs of new birds previously unknown to the world of ornithology. Quiet a few of his subscribers did not take up these further lithographs due to deaths, changed financial circumstances or no further interest in the project. Consequently the lithographs from 'Supplement" are much rarer then the ones issued during 1848-1860. #repostw10

So cool. Check original post for video, too. #REPOST @pine.copper.lime with @get_repost__app @koichi_yamamoto makes beautiful, delicate, eerie kites from his etchings. They are well documented on his Instagram and well worth a follow. . . . . . #printmaking #printmaker #printstudio #art #artist #instaart #litho #lithography #woodcut #intaglio #etching #workinprogress #contemporaryprintmaking #printisnotdeadyet #reliefprint #engraving #grafika #grafikawarsztatowa #linocut #linocutprint #limitededition #artprint #getimprinted #illustration #ilustracja #postdigital #kite #repostw10

New resource for printmakers: online podcast series, starting with @wuongean. #REPOST @pine.copper.lime with @get_repost__app We’ve launched! 🚀 PCL’s first printmaker profile is published! Featuring the great @wuongean 🖤 Make sure to subscribe to pod|copper|lime in the iTunes app as not to miss her upcoming episode as well. xx . . . . . #contemporaryprintmaking #printmaking #artistprofile #podcopperlime #linocut #wuongean #websitelaunch #repostw10

#REPOST @rableygallery with @get_repost__app Off all Wilfred Owen’s poems this one unsettles me the most - it truly is ‘The Pity of War’. In his new engraving Neil Bousfield captures the unease in ‘Strange Meeting’ - an imagined conversation of one soldier who has killed another in war. Both unsentimentally lay bare the internal and external turmoil and futility. #lestweforget #14-18 . This is one of a portfolio of 7 etchings we are proud to be showing in the gallery 8,9 and Sat 10 Nov. Between 10 and 4pm. The Great WW1 Poet Wilfred Owen was killed in action 100 years ago tomorrow. Follow the link in our header to see the full portfolio. #WilfredOwen #poetry #WW1 #armistice #rememberance #centenary #NeilBousfield #printmaking #engraving #contemporaryprintmaker #foliosociety #poppyappeal #britishartist #collectprints @rableygallery @ifpda #repostw10

Love that. #REPOST @portjacksonpressgallery with @get_repost__app Milan Milojevic combines digital printmaking with etching and woodcut techniques, and his prints frequently employ the visual effects of symmetry and repetition. The ordered appearance of ambivalent forms make them seem both alien and familiar, like fragments taken from nature that have been enlarged and re-contextualised to form new species.⠀ ⠀ You can view and purchase this print and others by Milan Milojevic in the gallery and online. ⠀ ⠀ Milan MIlojevic. Night & Day #23, 2016. Digital Print - with etching overlay. Edition of 10. 44 x 30 cm. ⠀ .⠀⠀ .⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ .⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ #portjacksonpress #printmaking #fineart #contemporaryart #art #melbourne #print #printmakers #australianart #collingwood #gallery #exhibition #milanmilojevic #colour #etching #digitalprint ⠀ #repostw10