Monthly Archives: February 2011
This is a fast-paced and gripping serial killer novel. The book was written ten years ago, now, so it may be disingenuous to say that it offers little new to the genre, but if you are coming to the author or series anew then this is what to expect. It is written in what seems to be the standard for this type of novel: the story of the chase and the detectives hunting the killer interspersed with a running commentary from the killer. As I have said, the novel is fast-paced, and this is one of the drawbacks of the story: it is too fast to allow any real atmosphere to build. It is well crafted but not what I would call well written.
The three main characters are well described and we are allowed into their heads. They are engaging and the series character has enough flaws and interesting attributes to ensure that we will want to follow her into later stories. I will say that although this is the first in the Rizzoli and Isles series, only the former appears in this novel.
There are problems with the novel. The police fail to pick up on what I might have thought were some rather obvious leads that might have meant the killer being apprehended before the actual showdown. And the characters seem to react more strongly to the killer than the story warrants. The killer is much less superhuman than they make out. But, that said, these are minor concerns. The twists and turns in the story are inventive and surprising without being unbelievable; Gerritsen has plotted well.
So, if you are a fan of crime novels or of the serial killer sub-genre then I would certainly recommend this novel. It ticks all the right boxes and, being only the first in a series, suggests that better is to come.
As a partner-in-crime in ‘The Great Transworld Crime Caper!’, the first book I was sent to review was Echoes from the Dead by Johan Theorin. This was my first choice selection as I’ve been a fan of Scandinavian crime fiction since Hoeg’s Smilla. The book has the obligatory attempt to link the author to Stieg Larsson. No one should be fooled by this; Theorin is a much better writer than Larsson and this book is much better than the Millenium series.
First, a little on ‘translation’. I like reading translations. For me, the best translations will be good English and will convey the story as the author intended but will have just a hint of strangeness, something that also conveys a sense of the land and culture of the author. The perfect examples are the Russian translations of Richard Pevear and Larissa Volokhonsky, such as Crime and Punishment, The Master and Margarita. Marlaine Delargy has taken the approach of providing a perfect English translation of Theorin’s Swedish, leaving it to him to provide the local feel. And this, Theorin provides in abundance.
The bulk of the story is set on the island of Öland, just off the mainland of Sweden and linked to it at Kalmar. And this place provides the story’s intellectual heart. The Öland of the novel is not wholly the real life one; place names have been altered, presumably to protect the innocent! But the landscape is real. In a series of appendices, Theorin describes it and his enduring passion for the island. The most significant aspect of the landscape is the ‘alvar‘ base, known also as a limestone pavement, whereby a thin layer of vegetation barely manages to survive on the limestone strata. This aspect also forms the symbolic base of the novel. Each character in the novel seems to be living their own thin existence, a veneer of life over some rocky base of horror from the past.
In the case of Julia and her father, this horror was the disappearance of Julia’s young son, some twenty years earlier. Most people feel that he wandered from his grandparents’ house and into the sea but Julia cannot accept that. She still talks to him and believes that he is waiting on the island for her to come and find him. This obsession and refusal to get on with life has led to her separation from the boy’s father and alienation from her father. But her father calls her back to the island. Someone has sent him a small shoe, one that the boy was wearing when he disappeared.
Julia and her father’s hunt for the truth about what happened exposes more and more secrets. Others are drawn into the search. As it continues, Julia begins to accept that her son is dead but she still wants to know how and why and where his body lies. The most serious complication to the search is the story of a misfit psychopath from a local wealthy family who escaped to South America after killing a policeman just after the second world war. Locals believed that he had returned and was responsible for all manner of crimes that had occurred since. Julia’s father is convinced that he had something to do with the boy’s disappearance. As the searching builds to its climax, both Julia and her father learn more about themselves and their neighbours and all the disparate strands of the novel come together in a believable conclusion.
Echoes from the Dead is no simple crime story. The characters are deep and complex and the resolution of the mystery at the heart of the novel depends on each character exposing the bedrock of their own existence. Theorin has crafted an atmospheric and gripping tale and I look forward to reading his later works. This book is highly recommended.
While away, I signed up to Lynsey Dalladay’s ‘Great Transworld Crime Caper‘ and have just finished the first of my three books. I’ll post a review of it in the next day or so. Click the link above (before 14th Feb) if you’d also like to take part.